F1 photography is an expensive profession. As a full-time F1 photographer, I constantly update my camera gear, and this year, I’m travelling with up to AU$70k of photo and video equipment. If you’re curious about becoming an F1 photographer, this post will give you insight into the gear you might want to consider, along with some photography tips to enhance your shots at a race.
Cameras
Let’s kick things off with my cameras. I primarily use the Canon R1, which I’ve had since November last year. Compared to the R3, it offers more frames per second, better autofocus, and a sturdier build. The eyepiece is brighter, and unlike the R3, it doesn’t have parts that fall off easily. While it may not be a game changer, I truly enjoy shooting with it.
In addition to the R1, I carry a Canon R5 Mark II, mainly for video production. It has a higher megapixel count, which is perfect for panorama shots. I also have two compact cameras for travel videos: the Insta360 X4 and the InstaGo 3. The InstaGo is especially handy when I want to shoot discreetly, and my iPhone Pro Max comes along as a reliable backup.
Camera Lenses
Next up, let’s talk about lenses. My most powerful lens is the Canon 600mm f/4, which requires a monopod for comfort. I also have the Canon 100-300mm, which I find perfect for both paddock and track shots, and the Canon 100-500mm, which is great value for money.
For wider shots, I use the 8-15mm fisheye and the 11-24mm lens, though I only take these to specific races, like Baku or Monaco. The 15-35mm RF lens is my go-to for paddock shots. If I had to choose only two lenses for a race, it would be the 100-300mm and the 15-35mm.
Lighting and Accessories
Lighting is crucial in my work. I carry a Profoto Flash which can battle daylight and has a diffuser for softer light. I also have a Phottix panel for my YouTube videos. I’ve learned the hard way not to buy the Lume Cube, as it failed on me. Instead, I stick with reliable gear.
Microphones
Audio quality is just as important. I use Rode radio mics and have a Sennheiser MKE 400 as my main microphone. The Rode NTG was great when it worked, but I had issues with reliability. The Sennheiser has been solid, but I wish it had a better mounting system.
Tools and Other Essentials
My kit includes a variety of tools and accessories. From battery chargers for my cameras to a Leatherman tool for quick fixes, I’ve got everything I need. I also carry multiple phones for uploading and managing my photos on the go.
Laptop and Storage
My Apple Mac is essential for quick turnarounds in the media centre, allowing me to edit and upload images rapidly. I keep two hard drives for backup and rely on SanDisk memory cards for fast storage.
Camera Bags
For carrying all this gear, I use a Think Tank camera bag that fits in overhead lockers. It’s crucial to have a good bag to protect my equipment during travel. I also use a Stream Deck to streamline my workflow, allowing me to execute macros with a single button press.
Final Thoughts
In conclusion, I don’t take all this gear to every race, but I ensure I have what I need to capture the best moments. Everything is labelled, which helps in keeping track of my gear. If you’re interested in F1 photography, consider investing in reliable equipment and practice your skills to improve your shots.
FAQ
What type of camera do you recommend for F1 photography?
The Canon R1 is a great choice due to its speed and autofocus features.
How important is lens choice in F1 photography?
Lens choice is critical as it affects your ability to capture both wide and close-up shots effectively.
What accessories do you consider essential?
Essential accessories include a reliable flash, quality microphones, and a sturdy camera bag.
Where can I find more about your gear?
You can find links to my gear and setup on my website.
How do you manage your photos during a race?
I use a combination of multiple phones and an Apple Mac to upload and manage images quickly.
For more insights on my setup, check out my video on How I use my Stream Deck.